De Velinx · Captivating Entertainment · Tongeren, Belgium
38 stage hoists on one button, six shows a week, no counterweights.
The project
How Boolean and Stapotech replaced hand-pulled counterweights with a single control system that runs every hoist in the building.
Before automation, moving De Velinx's stage rigging meant a technical crew pulling counterweighted battens up and down by hand, every lamp or piece of scenery matched with a counterweight, rebuilt before each show and torn down after it, roughly six times a week. The system also had to work for visiting technicians who don't know the venue, and the theatre's two performance halls face different directions, so a single fixed control view never showed the whole stage.
We built an open, redundant control system on industrial-grade PLC hardware: one controller running the motion for all 38 hoists, with signals and safety wired over a single redundant network so a fault in one loop doesn't take the rest down. Two separate control panels match the two halls' different stage orientations, so the crew always has a full view of what they're moving, whichever hall is in use.
The system has gone through several iterations with Stapotech, adding features while keeping it stable and reliable enough to run six shows a week without incident. Hoists no longer need to be linked mechanically: grouping and height limits are handled entirely in software, so the crew can't accidentally damage the set while operating it.
“We used to pull everything up and down by hand, twenty counterweights at a time, before and after every show. Today we just press a button, and we can carry twice the load. It's a huge step forward, in time and in safety. Nobody wants to go back.”
Inne Box · Head of technical crew, De Velinx
In detail
Every hoist is really a small machine: a winch, a motor, and the sensors and safety logic that keep it in bounds. Here's how those 38 machines become one system a single crew member can run.

One industrial PLC runs the motion for the entire system, sequencing all 38 hoists so they move in the right order and can be corrected quickly if a cue changes. A separate safety-rated controller handles every safety signal independently of the motion logic, and both travel over the same redundant network, built as two loops, so a single connection fault doesn't take the system down. The architecture is open by design: no fixed motor brand or fieldbus, so it isn't locked to one supplier as the system grows or changes.
The crew operates from whichever of the two control panels matches the hall in use, always with a full view of the stage they're actually moving. Hoists that used to need mechanical coupling can now be grouped and limited entirely in software (including height limits that stop a hoist before it can damage the set), so day-to-day operation stays simple even as the system's capabilities have grown.


We think along from the very first conversation. No standard answer, but a plan tailored to you.